About
Nothing I say here needs to be taken seriously. I’m merely searching for the most effective way to
- express myself
- discover some evocative vagaries of communication that can poke at a sensor or two slumbering, undocumented inside the brain.
I’m interested in: how rhythmic language links to thought; how that thought, in turn, links to emotion; and how that same emotion might be conjured through words spoken and read.
I’d like for people’s brains to get the goosebumps.
Some of the letters, words, spaces, punctuation, and layout of my work is there to represent sounds in the external world of a person’s reality; and to represent sounds ricocheting in the internal realm of the brain that cannot be represented through spoken, written, or physical language.
It’s just as important to me to awaken the hidden, unfamiliar forests of the brain — smooshed snugly below the imagination — as it is to stimulate the familiar, linear, coal-shoveled thought patterns established with social intelligence.
